Civic Radar, a comprehensive, long-overdue retrospective of her work, presents the remarkable breadth of her thinking about art, technology, politics and the increasingly elastic and complex definitions of what constitutes identity and being, thinking that has always been timely. Perceptively curated by Peter Weibel, himself a pioneering advocate for new media, and Andreas Beitin of the ZKM (Center for Art and Media), Karlsruhe, in collaboration with the Deichtorhallen/Sammlung Falckenberg, a version of it will travel to Hamburg in May 2015, as well as to Modern Art Oxford, UK. Shamefully, Hershman Leeson has yet to receive a similarly indepth assessment in the US, although her work will be the inaugural show at Bridget Donahue, a new gallery opening this February on Manhattan’s Lower East Side.